I saw Jonathan D. Bellion in person for the first, and what I hope will not be the last time. I wonder if he’ll get famous enough or I’ll get broke enough to be unable to afford his tickets anymore. Unfortunately, at the end of this wonderful concert of LA’s The Human Condition III tour, the love of my life failed to propose to me so I’m still single. It’s a tragedy.
I can honestly say that seeing Jon Bellion live was one of the most necessary things I’ve ever had to do with my life. I can also say that he’s my favorite – in my opinion, the best – performing musician I know of. Yes, yes, I’ll concede that Beyoncé has phenomenal breath control, vocal training, resilience and excellent dance moves. She may be the best performing singer alive. But Jonathan is my best performing musician. Watching him perform, I think, should be an almost life-changing experience, even if you don’t rock with his musical sound itself. I’d felt it in videos, but was something I was determined to see for myself.
In 2016, when I got into Jon Bellion, the strange sounds he made, particularly in The Definition, caught my attention. I believe I started first listening to his tapes in chronological order. I started with the ancient mixtape, Scattered Thoughts Vol. I. (There have never been any subsequent volumes, which I think is very sad.) I remember thinking Jon’s music was okay – not mind-blowing, but nice – but the texture of his voice made me uncomfortable. It’s so strange, because only two hours later, I’d be in love with the very same voice on subsequent music projects.
I listened to Translations Through Speakers, and I was like okay, I like this content. I like what he’s doing with these beats… I moved on to The Separation and thought, this is stuff I’ll be coming back to again and again. But then The Definition. Hmm. “Munny Right,” the first track, slaughtered me in the post-hook by Beautiful Mind member, Mylon Haydes:
“Put the pause button on that weak shit
You sound like everybody else, muh’fucka”
Those lines became a mantra and I couldn’t do a thing about it. They energized me every time I felt low. Along with “All Time Low,” of course. The second track, “Carry Your Throne” made me so happy especially because of the drums and the vocals in the chorus. After that song, I was pretty sure I wanted to date Jon Bellion. But by the third track on the tape, “Pre-Occupied,” I was jumping up and down in my room around 2am thinking, “Who is this guy, and how can I get him to marry me?!” I am telling you, it was a spiritual experience! My goodness. I was nearly high for the rest of the time I used to finish The Definition.
And then I went to YouTube. I can only assume I was looking for corresponding music videos. I found something much better than music videos, though. I found “The Making Of…” videos. And they changed my life more than anything by any musician has ever changed my life before. And this is the story of how Jon Bellion became my favorite musician in one night.
To be honest, “The Making Of…” videos are the reasons I absolutely had to see him perform live. As much as I like the music of many other artistes, Jon Bellion is virtually the only non-poet I have ever wanted to see live so badly. Now that I have, I wonder if I’ll ever be interested in attending anybody else’s concerts, LOL.
Jon Bellion writes himself. And he’s a freaking lyricist. He’s the producer of all his songs. He can’t read music, apparently, but he’s a multi-instrumentalist. And I include beat pads and drum machines in the list of musical instruments in the world. He made his production and composition and recording process transparent in his “The Making Of…” videos in a way I’ve never seen been done before. He’s been intentionally mini-documentary-ing almost his whole creating process. So, I had to do everything I’d seen him do on video live. I was not disappointed. Except for the part where I had to stand, waiting at least 25 minutes after the end of Blaque Keyz’ opening act for Jon to come on.
Jon’s personality is contagious. It’s genuine, casual and bubbly. He’s almost always performing in just a white T-shirt and jeans. He doesn’t have a million-times-practiced choreography or team of 20 dancers in formation, yet his stagecraft is fantastic with just a themed slideshow behind him, his Beautiful Mind band, his loop station, and a lot of help from the ever-energetic Travis Mendes. The themed slideshow was such that, for example, there were clips of crashing waves as he performed “Overwhelming” and a collage of ’80s movies clips as he performed “80s Films.”
To see Jon practically effortlessly switch between the microphone, a piano, a physical drum set and a loop station or beat pad was one of the littest things I’ve ever experienced. And let’s not even talk about how amazing it is to have the whole crowd singing your lyrics even louder than you. And even the non-lyrics like “YEE!” and “Bambudeybambambudeybambudeybambambudey, Guillotine!” That crowd felt like community in unity.
I think my magical moment was when he walked us through a quasi-production process of the song “Luxury” from The Definition, whose trumpets, I think, are iconic. More iconic than the trumpets in Jason Derulo’s “Trumpets,” which, by the way, is a song Jon Bellion wrote and “donated” to Derulo because it was too pop for him. LOL.
By the encore, I had lost my mind, with a few minutes of silence to recover somewhat after the end of the official concert. Several times, Jon built up tension with the ascending backing vocals in the “Jim Morrison” chorus from The Separation (and yes, I LOVED it that only the Day Ones knew the lyrics form this 2013 song – so that by the time Jon yelled, “Rock the fuck out!” I was unapologetically screaming,
“Ask my father, getting money is hereditary,
Will Smith, bitch, I am feeling legendary!”
like I was the most turnt person in the room. I was intoxicated by nothing other than the drug of Jon Bellion’s physical presence and energy.
I was a baritone the next day. It was a wonder I hadn’t lost my voice completely saf.
So yes, not only has Jon Bellion redefined for me what it means to be a great musician, but he has also restored my faith and aspirations in the art of musical performance. That was so, so refreshing. Take me again!